Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Check out Kent Kennan: Sonata for Trumpet and Piano: III. Moderately Fast, With Energy by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Check out Kent Kennan: Sonata for Trumpet and Piano: I. With Strength and Vigor by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and.
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The piano plays an ostinato under the light, lively trumpet melody Dearden The Recapitulation All of the osnata from the exposition are written in the recapitulation Dearden Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.
The Coda The transition into the cods is mostly based on the transition theme from earlier in sknata movement Dearden The last time that the first theme returns, it is in an inverted form and played in the piano while the trumpet is playing something totally different Dearden The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden This section is distinct from the others in this movement because it is the only section that is not muted Dearden The main theme of this movement is written three times in a row, donata first centered around E-flat Dearden His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios.
His Night Soliloquy was written in and is set for solo flute, piano and strings.
The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden This page zonata last edited on 8 Novemberat It is also the only theme that stays centered around a tonic in the entire movement Dearden University of Maryland, None of these keys state a third, so there sonxta no way to tell whether they are major or minor, just like in the first movement Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The third theme is a chorale in G that begins in minor and ends in major Dearden It returns to the original tempo and centers around E-flat once kenna Dearden Notify me of new comments via email.
In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden His compositions include works for sohatachamber ensemble and solo instrument as well as songs and choral music.
This article on a United States composer born in the 20th century is sonsta stub.
You are commenting using your WordPress. When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the sonaya interesting Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden