Check out Mass in B Minor, BWV Et in Spiritum Sanctum by Bach Collegium San Diego on Amazon Music. Stream ad-free or purchase CD’s and MP3s now. What is certain is that Bach did not write the Mass in B minor in one fell swoop. . Et in Spiritum sanctum is scored for bass solo (actually, since it lies so much. Bach’s Mass in B minor (BWV ) is the synthesis of his life’s work. Drawing on decades of . Et in unum solos (second and third persons of the Trinity). Et in. Spiritum. (paired). Patrem Et in Spiritum sanctum Dominum. Bass, 2 oboi .

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Evangelist List of compositions by Johann Sebastian Bach. Retrieved 16 September Probably a parody, it is the only movement in the work using the horn. With Qui sedesan aria for alto with oboe d’amore solo, another style makes its appearance in the Mass, namely dance music. Here an obbligato flute opens a concerto with the orchestra and introduces material that the voices pick up.

Back American Opera Initiative. Et in Spiritum Sanctum Composed by: Et in Spiritum Sanctum.

He added a few new compositions, but mostly derived movements from cantata movements, s;iritum a technique known as parody. The opening is set as a five-part chorus, beginning with an instrumental presentation of the material. Bach used this section, the central duet and the concluding doxology as a Christmas cantataGloria in excelsis DeoBWV Glory to God in the Highestprobably ina few years before the compilation of the Mass.


Amenwith extended runs on “Amen”. The text ” ex Maria spiriutm ” out of the virgin Mary appears in an upward movement, “et homo factus est” and made man is even in upward triads.

Mass in B minor structure

Gratias agimus tibi 8. Lamb of God, who takes away the sin of the world. In the opinion of the 19th-century scholar Philipp Spitta, Bach superimposed the two lines to express the “mysterious Unity of the Father and Son, on which the possibility of atonement depends. Bordoni was one of the stars of the Dresden opera and was married to composer Johann Adolf Hasse. Detailed structure Chronology, Parodies, etc.

Bach Translations

Add to wish list. John Harbison, Principal Guest Conductor. Pleni sunt coeli et spiritun gloria tua. Staatsbibliothek zu Berlin D-B: The two singers sing different texts simultaneously: Back Plan Your Trip.

Musicnotes Pro Send a Gift Card. This is the most abstract part of the Mass text which has traditionally proven to be the most problematic for composers.

Emmanuel Music – Bach B-Minor Mass, BWV – Translation

A major is the dominant key to D major, the main key of the part, symbolising superiority, in contrast to the E minor of the ” Crucifixus ” as the lowest point of the architecture. The first movement is scored for five-part choir, woodwinds and strings.

The repeated figure of an anapaest provides the epiritum energy of the texture. Bach’s Mass in B minor: Thirty Years of HIP”. This does not include the version of Part I the movements that constitute the Kyrie and Gloriabut sancfum compositions which Bach used as basis for that version.

Archived from the original PDF on 3 March The acclamation of Christ stresses the second person of the Trinity and is therefore rendered as a duet of the two sopranos. The relatively low range of the vocal part makes it likely that it was written with the voice of mezzo-soprano Faustina Bordoni in mind. Archived from the original PDF on 5 October Give Now Help us continue to provide the outstanding performances you’ve come to expect!


Save on Every Order! Moreover, it was a text that Bach had never tackled until the last years of his life some sketches probably dating from are the earliest signs of direct involvement.

The reason for the composition is unknown. Agnus Dei, Dona nobis pacem No. Mass in B minor BWV Qui tollis peccata mundi – Quoniam tu solus sanctus In the words of musicologist George Stauffer, working on the Mass gave the composer “a final chance to rework and refine his earlier sources” and resulted in “a highly select sampling of vocal music culled from four decades of sacred and secular composition.

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Bach structured the work in four parts: The belief in Jesus Christ begins with ” Et in unum Dominum ” And in one Lordanother duet, this time of soprano and alto, eet in a canon where the second voice follows the first after only one beat. He also connects the Missa composed in to the later parts.